THE LECTERN/PULPIT

The early church did not have separate areas for liturgical teaching and reading. Rather, the local bishop sat in a central place and his students (the congregation) gathered about him. Even today, the bishop's chair takes its name from the "cathedral" or teaching chair.

As Christian communities became more numerous within cities and towns, church buildings began to include raised platforms from which lessons were read and chants led. By the Fourth Century, city churches often had two platforms for these functions, one reserved for the Epistle, the other for the Gospel. Finally, in the Fourteenth Century, pulpits and lecterns as we know them became normative in cathedrals, universities, noble and royal chapels. Only in the Nineteenth Century did it seem that all churches should have the divided chancel in the "new" way.

Saint Nicholas' offers a return to earlier tradition on the basis of the teaching of the Second Vatican Council and its high regard for Scripture. That is, Saint Nicholas' now has a single center for the Word that is equivalent to the dignity accorded the altar.

The two main emblems of the lectern/pulpit announce the Ten Commandments (Exodus 20:1-21)—the basic requirements for the godly life in Israel—and Christ's Law of Love (St. John 13:34-35)—Christ's commandment given as his summary of all earlier Biblical laws. The central symbol is another affirmation of God as Trinity.

The four subordinate symbols of the lectern/pulpit illustrate a hymn by Washington Gladden (1836-1918). This early advocate of the Social Gospel wrote "Behold a Sower" as a meditation on the Bible.

The dove and the pen represent the Christian teaching that the Bible is a gift from God in which the Holy Spirit is guide and partner with human authors. The harp celebrates the Psalter as the "Song Book of the Spirit." The wheat sheaf refers to both the sharing of the Bible truth and Christian study of the Bible as a process of "harvest." The "cosmic vision" celebrates the Biblical proclamation of the infinite God whose creativity is beyond either our measurement or imagination.